Sunday 8 May 2022

Romance Recs: Marriages of Convenience

We – well, I know we don't all love them, but many of us do, me included: Marriage of Convenience stories. There is something enchanting about two people, who might be fond of each other in a different way, in such a special, intimate situation. Please note the difference between this and forced marriage stories, because they are not the same.

I have a few particularly lovely book recommendations for you.

The Convenient Marriage by Georgette Heyer

The title says it all. But what a marriage it is! Horatia is the youngest and plainest of her sisters, and she has a terrible stammer – not to mention a little gambling problem – but she chooses to "sacrifice" herself to save her eldest sister from a marriage of convenience with a wealthy Earl, to solve the family's financial trouble.

It's an absolutely hilarious story, with gambling and fighting and lots of jokes, set in the late 18th century. The Earl of Rule is one of my favourite Heyer heroes, and I absolutely adore Horry.

It is not a very popular book by Heyer's standards, but trust me – it's frightfully underrated and truly enjoyable!

April Lady by Georgette Heyer


Another favourite – one of Heyer's least popular and, in my opinion, best novels. Many think it a revamped version of The Convenient Marriage, and I disagree strongly. The marriage of convenience factor is the only similarity, and that one is shared, obviously, by all books in this list.

The most notable difference is that both leads were in love with their spouse from the start, and believe that it was merely a convenient marriage for the other one. This adds a completely different sort of tension, and is both from a moral and a psychological perspective very interesting. There are also more social factors addressed than in most Regency romances.

A Civil Contract by Georgette Heyer

The most popular out of the three Heyer novels in this list, A Civil Contract is one of her most serious and solemn books. In my opinion, the conclusion can be somewhat lacking, but I think that is for a more semantic reason than anything else – the word love can be used very differently – and I am, as far as constellations of that sort are concerned, spoiled by reading Elizabeth Goudge, who handled these better than any other author I know.

But all that aside, this novel is a nice and quiet comedy of manners, and the ideal Heyer novel for Janeites. It's elegant, witty, and interesting, and all in all an excellent read.


The Weaver Takes a Wife by Sheri Cobb South

An excellent read and one of the few modern Regency novels that are truly in the same league as Georgette Heyer. I have written an extensive review here.

I'll admit that there's a bit of force in this particular marriage of convenience, but it all makes sense as it is in the story. It's truly lovely – we've got one of the most unusual and sympathetic heroes in romance literature, and a delightfully unlikeable heroine.

The book is short, quick, and very witty, and truly refreshing.



French Leave by Sheri Cobb South

French Leave is a lovely sequel of The Weaver Takes A Wife, and its hero is the first book's villain; its heroine, a lovely but involuntary novice turned sweet polly oliver, who flees with him from France to England.

This is a sweet and truly hilarious read. If you like These Old Shades and The Corinthian by Georgette Heyer, I am sure you'll enjoy this one greatly. The characters are simply delightful, we meet the leads of the first book again, and the anti-hero has a wonderful redemption story. And the heroine is oh, so delightful!



The Making of a Marchioness by Frances Hodgson Burnett

Yes, this book is by the author of such beloved children's classics as The Secret Garden, A Little Princess and Little Lord Fauntleroy. But it's an adult novel alright and the heroine is a bit of a spinster.

The romance is not as prominent in the story, which is mostly about the schemes of mean relations against the heroine, but it's a truly lovely read. I have read some complaints about her, but I love the main character, and I also really like her husband.

It's a lovely, simple, at times surprisingly dark story, with a very reasonable and sensibily motivated marriage.

Do you have a favourite marriage of convenience novel, and perhaps a recommendation to add to this list? Let me know ♥

Friday 6 May 2022

The Cosy Cottage Quiz

Another quiz I have made – if you ever wanted to build your own cottage, here's your chance!


Thursday 5 May 2022

Superficial replacements of what is Most Natural

It is quite symptomatic for people today, especially young people on the internet, on tumblr in particular, to replace natural and necessary, yet recently (and not-so-recently) rejected human behaviour and interest with superficial and very limited reproductions. And, to be quite honest, it worries me.

Take political correctness, for instance. I am in no way speaking against politically correct behaviour – on the contrary, I think it necessary. However, the form of political correctness we know and use today is an insufficient replacement for proper manners and considerate behaviour. Manners, of course, were rejected a short time before extreme political correctness came into fashion, as outdated and classist. For a short time, people roamed freely across the internet, being just about rude and offensive, and then the opposite came into being.

The problem with this Opposite is that, rather than becoming a renaissance of manners, it became much more of a perversion of them. It is all the more classist, despite being used most fervently by those who claim to fight classism, and it is strict and limited, and always out of date. Rather than intending to always treat all people courteously and with consideration of their very feelings, one intends to treat only a few groups of people with such consideration, and without much care for each person belonging to any of these groups as an individual. In fact, it seems that for many people the point of political correctness is to be always as rude and misbehaving and unfriendly as possible, except to a few chosen peoples, as a collective entity, who might not in any way be offended. These offences are changed regularly, and can only be properly known by the initiated, contemporarily educated, young (or trying to behave as a young person would) who spend most of their time online.

No matter how good the intention, if a person isn't perfectly up-to-date in their language or their understanding of specifics, they are made the villain of the play. I have addressed this before, and I have to say again, that it is a better aim for one's behaviour to be unspecifically and unconditionally good, rather than overspecifically and exclusively perfect. To treat people with consideration and friendliness is not as difficult as it might appear, and even if one may struggle to do so, it is worth training. There is nothing classist even about more elaborate manners, in fact, as those can be acquired through simple consideration of one's own actions and through watching well-behaved people, it is much less classist than expecting people to behave in a way that requires specific education, access, and social environment.

Now of course, many argue that there's too many well-mannered people who behave very much politically incorrect and offensive towards people's feelings. This is due to the fundamentally wrong idea of manners that many (especially young) people have nowadays. The behaviour employed by a great many rich and privileged people is often equated with traditional manners, even if said people behave terribly, and every sort of inconsiderate behaviour towards more modern sentiments is associated with older generations. But the thing is actually quite simple: If people behave in a way that they know hurts another's feelings, offends another's personal sensibilities (not to confuse here with polite disagreement!) then they are, in fact, not polite, not well-mannered, not considerate or courteous.

If your aim is to be good to people, as individuals, and all people, then you don't do things that hurt them, at least not intentionally. You respect them both in regards to socio-political (race, gender, class, etc.) as well as purely personal matters and feelings. And this according to each human being. That's not speaking against political correctness in the least – but one should remember that a stilted consideration towards specifically chosen people, without much regard to their individuality, and with absolutely no care for anyone else, and no effort to behave decently, is not worth much. If applied in such a way, then political correctness is merely a protection for those who want to treat others badly without being exposed.

(It helps, of course, to view humanity as a whole, interconnected and inseparable, with smaller, overlapping, open-boardered inside, yet each human being an individual, rather than, as it is so often now done, divided into many small, impervious groups which, in case they overlap, form even stricter, smaller groups.)

And take social constructs. A current trend online is memes and comics and shorts stories about how “weird humans are” – often from the perspective of aliens, sometimes of pets. How humans care about each other, how they do nice things, even if they don't appear necessary in a commercial, efficient way, etc. Also posts about how people in history and pre-history have always been people, and have always cared about each other. The appreciation for all of these things is quite wonderful, and long-needed. However – not all, but a large portion of those things are, in fact social constructs. But of course, social constructs are considered bad things, so they are not called that. Instead, we learn that “humans are weird” whenever they do something that is not either selfish, or efficient, or both. Even if appreciative, we learn it in a negatively-tinted way. How weird it is! To think that humans are indeed – well, what? Humans.

But you see, social constructs are not fundamentally bad things. Nor good, either. Being a social construct doesn't make a thing bad. It does not make it good, but it does very much make it human. The idea to say, “this does not exist in biology, it is a social construct and therefore bad/fake” is a way stripping humans of their humanity. We are social, and we ought to be social. That does not mean that we have to stick to every social construct there is. In fact, questioning, examining, changing and adjusting, even abolishing social constructs is as much of a socially constructed behaviour, and it is surely necessary at times, and it has always been done.

To consider unselfish, good, caring, or playful and creative behaviour to be “weird” is, even when meant positively, not the right way to approach it. It is not weird. It is not unnatural, it is purely natural, and necessary. It is also not exclusive to human beings, though of course, according to our understanding particularly developed among us. And it shouldn't cease to do so – after all, wouldn't it be much better to stand against those who claim that only selfishness and efficient work are necessary? No! There's many bad or outdated social constructs, but humans are social animals, and we change, and the things we create and construct and develop change with us. Different social constructs in different cultures and eras do not prove that social constructs are fundamentally bad and unnatural, they prove that they are, in fact, natural, and that they can be altered.

But the derogatory way of talking about good and necessary things brings me to the subject of education. It's a pity that what used to be considered general knowledge is now called “useless facts”. Despite pointing out that they are the best-educated generation of all time, and much smarter than older people, today's youth is victim of a very strict, career-oriented education. This, of course, has been created by older generations, and is often criticised, but that doesn't change its effect.

Knowledge needs to have a use, otherwise it is called, deliberately, “useless”. The studium generale is of the past, so is any form of general and recreational knowledge and education. And this surpasses class. Whether its the studies of rich people not intending or needing to put them into practical use, or the underestimated, wide knowledge of common and tradespeople.

Fortunately, nowadays people have a better access to university education than they did in the past, even if they don't come from a privileged background – academia is not as strictly reserved for the rich and privileged as it used to be, although there is still a lot to be worked in that direction. However, as strange as it might sound, knowledge becomes more and more a privilege of the academic, regardless of their background.

If you don't gain knowledge for a career, and if it is not a commercial career, then it should at least be an academic career, then why earn knowledge at all? And why learn anything out of your field? And why in a way that cannot be put to use, even if the knowledge you have gained is just the same?

What is now called, rather apologetically, “useless facts” and considered a waste of time to read, are, in a much more accessible form, thanks to the internet and easily available books, what used to be sought-after knowledge, just for the knowledge itself by earlier generations. Not centuries, but just a few decades ago. Very often, people who are now deemed to have no use of academic interests, learned about things for personal use, and people who worked in academic fields studied things entirely unrelated, and people who were not going to have a career learned for the sake of learning.

But now knowledge needs to be monetised, or at the very least certified, even if it is not supposed to be used in a professional environment. All other knowledge, all personal knowledge, is deemed useless, a waste of time, (and insufficient to put into conversation with better-educated people, even if they are less informed on the chosen subject – but that is an entirely different matter and unrelated to this) and as such even immoral, as people are made to feel guilty for enjoying knowledge without putting it into professional use.

This is helped by the popular idea that in the past only professionals and academics, and a certain kind of rich people, and then only men, knew anything. But as a matter of fact, very often people who worked in handiwork, women with no intention or prospect of a career, and even rather poor people (though that depended heavily on time and place) were quite well and diversely educated. Knowledge was not deemed useless, but valuable, even when people could not assume to earn money or esteem through it.

And “useless facts” and all the non-fiction and documentaries, as well as free online courses and all that is so often looked down upon as a past-time for people who don't know what to do with themselves, are proof that people still long for knowledge, and for an intellectual occupation, no matter how unproductive and inefficient it might be. And that should be supported, not degraded, and not apologised for. Reading books and articles on things that interest one, visiting university lectures without being enrolled, even reading little tid-bits of funny and obscure historical or scientific facts, should never be something to feel ashamed of.

And even more so, even if many older people did not have the same opportunities as young people today, it would be very foolish to assume that they are uneducated, just as it is very foolish to assume that people in earlier times were only sitting in the mud, thinking the earth were flat.

“Useless facts” of course, are just like “humans are weird” an apologetic degradation of a thing actually liked, and valued. It seems a common reaction nowadays. A sort of fear, “Look at that silly thing I made, it's really not good!” – “Why, it's fabulous!” This is not a reproach, much rather a caution. Because in such cases, there's not many to call it fabulous, the derogatory name will be adopted by the majority, and the good thing painted badly.

And now for Kindness, the most exhausting subject for a little composition like this one, and thus, appropriately, with a capital K. We all want Kindness, we all want to be kind. So far, so good. But kindness is not conditional. Friendliness is, politeness is. Kindness, like Love, is not.

So many people explain why you cannot be kind to everyone, why kindness to some people is evil to others. But that is wrong. You are mistaking kindness for friendliness, and for support. Kindness is unconditional. If you want to be kind to some people, but think others undeserving, then you don't really want to be kind, you want to be nice, to be friendly, to be polite, to be politically correct, or to be supportive. All necessary and valuable by themselves, all, at least to a degree, selective and conditional. And all, for the receiving person, pleasant.

Kindness is not necessarily pleasant or opportune. You are not kind to a person by supporting their bad actions and intentions. You are not kind to a predator by supporting the harm they inflict. On the contrary, if you fight against the bad a person does, you do them an act of kindness, inflict kindness upon them.

We can and we should try to act kindly towards everyone. We should practise kindness, train it, nourish, and cultivate it, and plant where it lacks. That does not mean that we should always be nice, that we should support everyone's wishes and goals, or to be always compliant. To practise kindness means very often to oppose.

But if your approach to kindness is conditional, if you want to exempt certain people from it, if you want to do them bad, than you contribute to the Bad rather than the Good, and only half-heartedly, superficially to the Kindness the world needs.

But a necessary fight against the bad a person does is not the same as self-indulgent malevolence towards the people who are made the symbol of what one considers, or even what might really be, what is bad, or a part of what is bad in the world.



Ramblings on Goudge and Williams

You know, I just thought about the way Charles Williams didn’t like country life and slowness, and preferred the city and its speed and needed to have many people around him. And I think that is the point where he essentially differs from Elizabeth Goudge, who loved the country, and quiet, and, if not solitude, then certainly the absence of a mass of people. (Interestingly, they both had their problems with Oxford for opposite reasons – while both liked it from a historical point of view, Williams found it too rural and plain, whereas Goudge found it stressful and frightened of her social obligations.) 

I say this, because their writing is, in many ways strikingly similar. Not in the sense that it resembles each other, but that it is written from a very similar way of thinking, a connected theology, or a matching, though differently animated spirituality.


This is not a new thought – Goudge and Williams are (for two rather obscure writers) fairly often compared to each other, though usually in passing. It’s also obvious that if you skim their books without thinking much about them, you won’t find them similar at all: Williams’ books are comparably dark, very quick, and not very descriptive, whereas Goudge’s books are picturesque, quiet, and very detailed.

But I wonder if that is, rather than contrary, complementary. It is not that they wrote books with some similar themes in stylistically different guises, but rather that the way they, as persons, worked, and felt, and believed, greatly affected the way they used at times similar, overlapping or connected themes and thoughts in their fiction, which brought out different aspects altogether. Because... because it’s not just a matter of taste of lifestyle that only affects style and prose, etc. It’s rather that the way they saw the world, the way they saw Creation, and Love, and Mercy, differed in the question where they saw it, which in turn changed how they saw it, and how they approached ideas that are related, but not only portrayed differently but truly changed through their focus, and their natural place in the world.

One man’s sheet of paper might be another woman’s flower. What I mean is, traffic can be birdsong for some people, and a moor can be a study. But the noise of people’s voices as well as of their thoughts and feelings, and solitude, and nature, and bustle, and quiet work, all belong together, but people respond differently to them, and through that things respond differently to people, resulting in a much more nuanced and diverse way of approaching the same basic concepts, and through this offering more and more glimpses at Truth in different ways for all people, like a great mosaic or puzzle, with some times matching especially well, because they lay side by side, while still remaining different, as different tiles. And that is part of the great beauty of it.

And maybe Williams and Goudge has matching pieces in different colours or different shapes... matching, as in fitting, not as in looking the same. And that is how the similar aspects of their books respond to each other, rather than tell a few of the same concepts in a “gritty” and a “sweet” manner.

Valentine's Day Period Drama Tag

Long past Valentine's Day (though May is the traditional wedding month!) and shamelessly stolen, here's another lovely period drama game!

I just love period dramas, and I love romance, so this is just the right game for me!

1) Your current three (or up to five!) favorite period dramas?

All Creatures Great and Small 1978-90 // Sense and Sensibility 1995 // Little Lord Fauntleroy 1980 // Pride and Prejudice 1995 // Sherlock Holmes 1984-94

2) What would you recommend to someone who’s never seen a period drama as a starter?

Definitely one of the better Jane Austen adaptations of the 90s!

3) A favorite couple that wouldn’t be included in answer #1 (cause I’m figuring those are already top favorites ;)) and/or a favorite secondary character romance? 

Lord Peter Wimsey and Harriet Vane in A Dorothy L. Sayers Mystery.

4) What do you consider foundational qualities for a healthy romance? 

Love. And dedication.

5) Worst villain/antagonist?

Oh, I don't know... in a period drama... I think – John and Isabella Thorpe. Surely not the worst villains in period drama world, but they drive me furious, so here we go.

6) A favorite proposal scene?

"Ah! Thou gifest me such hope and courage, and I haf nothing to gif back but a full heart and these empty hands."

7) Favorite period drama characters based on a real life couple?

James and Helen Herriot, Siegfried and Caroline Farnon.

8) Any classic b/w period dramas you like?

I am fond of the 1944 version of Pride and Prejudice. Also, I'd say The Scarlet Pimpernel is a classic, and I'd like to see the 1934 Little Women.

9) Most mature romance in a period drama? (mature as in age and/or characters who are consciously and wisely ripened by life experience, etc.)

I love Siegfried and Caroline; and although they are not canon and ought not to be together in the end, I truly enjoy the scenes Siegfried and Margery have.

10) Most excruciatingly long, slow burn romance in a period drama?

Oh, I don't know – I wouldn't know of a period drama that lasts as long. And I like slow stories, so... I just don't know.

11) A story that has multiple film adaptations where you love more than one of them?

Oh, I love the 1996 and 2009 versions of Emma equally! I generally sometimes like several adaptations (and sometimes not at all!) but those two in particular.

12) A book you think needs to be made into a film (or a new adaptation)?

Generally, so many Elizabeth Goudge books! Her Damerosehay and Torminster trilogies, in particular. Also, These Old Shades by Georgette Heyer. And we need a new, entirely different version of Jane Eyre.


I tag everyone who'd like to do this!

The Cosy Elizabeth Goudge Rec Quiz

This is a little quiz I have made, which recommends you a lovely novel by Elizabeth Goudge. Mind you, I always recommend, most of all, her Damerosehay trilogy and The Dean’s Watch, which are not options to get in this quiz.

Just Some Plain Questions

Not tagged, but stolen from A Girl's Place, because this is a new little blog.

The Rules:
~Paste the button onto your blog post.
~Answer the questions of the person who tagged you-make it interesting and fun :D
~Leave a new list of questions (or just pass the question list you answered) and tag a few people (it isn't required, it would be fun. I totally understand if you have it too busy.)

My list of questions:
1.What is your favourite ice-cream flavor? Woodruff and lemon sorbet.
2.Do you love Period Drama? Why or why not? Absolutely – just like classic books and historical novels!
3.What is your prettiest book cover? Oh, I don't know, there are so many lovely ones.
4.What's your favourite series? The 1978-90 BBC adaptation of All Creatures Great and Small.
5.Do you have a favourite flower? Which one is your favourites? I love all flowers, but especially snowdrops.
6.Do you write? Yes, I am a writer.
7.How old is your blog? This one? I just started today. My other blogs are older.
8.Do you love Lucy Maud Montgomery? Why or why not? like her. I mean, I am a fan, but a casual fan.
9.Do you like Fashion? Oh, yes – but not trends or fads, but generally good clothing and fashion as art.
10. What's your favourite colour? Forest green.
11.What's your favourite actress? Oh... I am not sure. Many. Judi Dench, perhaps?
12.How many brothers and sisters do you have? I am an only child.

I tag whoever would like to do this ♥


The Top 10 Fictional Crushes Game

This is an old game I used to play years ago on deviantArt and suddenly remembered – it's actually about celebrity crushes, but I adjusted it to fictional characters, because I think that's fun. Here we go!


List your top 10 celebrity fictional crushes:

1. Siegfried Farnon (All Creatures Great and Small BBC)

2. Lord Peter Wimsey (Lord Peter Wimsey)

3. David Eliot (The Eliots of Damerosehay)

4. George Eliot (The Eliots of Damerosehay)

5. Friedrich Bhaer (Little Women)

6. Christopher Chant (The Worlds of Chrestomanci)

7. Duke of Avon (These Old Shades)

8. George Knightley (Emma)

9. Colonel Brandon (Sense and Sensibility, Book & 1995 film)

10. John Steed (The Avengers, itv)


So, what do you like the most about 2?

He is humorous, kind, and a true gentleman – but he has a special air of danger and strenght about him, and he loves truly.

If you could do anything with 4, what would it be?

Go on a long walk in Knyghtwood.

Who would you choose between 5 and 7?

Oh, by all common sense – Friedrich. But if there were a true bond with Avon, who knows?

Out of ten, how much would you rate 1?

Ten! He is the best in every way.

What do you find most attractive about 1?

Everything?! His love for animals, his horsemanship and great way with children, his gentlemanly manners and the way he treats women, his generosity, his spitfire temper...

If you could go out with 3, what type of date would you go on?

Same as with George, a walk in Knyghtwood.

Why is 10 not higher up your list?

Because he is the last one I came up with for this list, and because he's a different sort of character, in a way – from a (then) contemporary show, and with a nearly unknown private life and past. But I love his air and manner, and the way he was played.

So what does 10 have to do to be brought higher up?

He simply should have occured to me earlier.

What would be the ideal situation for you, 2, and 4?

This is getting silly, but really a nice walk in the woods – perhaps a picnick, or we'd go riding.

What do you hate most about 7?

Hate? Nothing. But he can be... well... horrible. Good thing is, he stops that – mostly.

Have you ever thought about how you'll react when you meet 3?

Oh, that would definitely depend on how we'd feel... I don't know.

Have you seen 1 and 2 together on TV before?

No, that would be funny.

Have you ever dreamed about 6?

I'm not sure. I think not? But perhaps I have.

Who would you take to prom/ball with you?

Avon, that would be fun!

If you could give anything to 9, what would it be?

Love and consideration.

Out of all of them – who would you…Kick?

Avon or Christopher Chant.

Kiss?

Siegfried. (All of them.)

Pinch cheeks?

Chant, just to see his reaction.

Act like an idiot with?

Steed...

Take to see your parent(s)?

Huh... all of them would do, but I suppose the two Austen men would make a  particularly good impression.

Another Period Drama Tag

Another game I have not been tagged in, and a tag that is already quite old and perhaps not as active, but one I also thought would be fun. Cheerfully stolen by me, the rules for this game are supposed to be as follows: 1. Answer the questions, 2. Link back to the person who tagged you, 3. Tag at least one other blogger to do the tag. I will follow the first one, as I have not been tagged, and don't tag anyone, and rather encourage to do as you please, as well.

1.  What was the most recent period drama you watched?  Share what you thought of it.

An episode of Poirot, to be honest – or does this mean the most recently released, not the most recently watched? In that case, the newest Emma, which I didn't like at all. Many good elements, but none of them worked together, and while I expected it to be over the top, it turned out to be rather bland.

2.  Do you generally prefer period dramas in the form of a movie or a TV series/mini-series?  Why?

It depends, but I generally prefer series. I prefer stories to unfold slowly.

3.  What is your favorite musical period drama?

I'm not sure – I love musicals and period dramas, but I don't think I have a specific preference for one. Perhaps Mary Poppins?

4.  Read the book first or watch the movie first?

Whichever I get around to first. It's really more a matter of mood, and chances. But I am more of a reader, if I have to choose.

5.  What is a valuable life lesson you learned from a period drama?

None specifically, except that various period dramas have taught me good moral lessons, and influenced my attitude.

6.  Which period drama hero would you be likely to fall in love with in real life?

Siegfried Farnon, Friedrich Bhaer, George Knightley, Colonel Brandon, Lord Peter Wimsey, Lord Walderhurst, . . . more heroes from books that films and television, and I know these are all also from books, but especially with Siegfried (Hardy) and Brandon (Rickman), also very much the screen versions.

7.  Do you ever like to binge-watch a period drama series?

Rarely. I simply don't like to binge-watch mostly – except when I do, for some reason.

8.  What things go best with watching a period drama?

Tea and some nice treats. Soft blankets. Rain or snow.

9.  Which period drama do you think you would fit into best?

All Creatures Great and Small (BBC) or any good Jane Austen adaptation.

10. If you could have any period drama character for a best friend, who would it be?  And why?

Oh! I don't know – perhaps... Jeremy Brett's Sherlock Holmes? Or maybe Algernon Moncrieff. Anne Shirley?! Jane Bennet. And, naturally, the whole Skeldale House family!

11. Show us a picture of a period drama costume you wish you could wear in real life.

There are so many I love, and yet (or because of that) I couldn't think of anything. So here I'll go with two,: Christine Daaé's wishing gown, which I have always loved, even though I am stretching the definition of period drama bit, and Deirdre McEwan's striped tweed blazer, which I'd really like to have.

12. Are there any period dramas you like to watch during a particular season or holiday?

Of course! It's tradition to watch Little Lord Fauntleroy (1980) on the last Friday before Christmas, and it's the only Christmas movie that truly matters. And I love watching the 80s mini series of A Little Princess during Advent, and generally Jane Austen adaptations in spring and summer, and cosy mysteries in autumn.

13. Which period drama has your favorite soundtrack?

So many! All Creatures Great and Small, Little Lord Fauntleroy, Brideshead Revisited, Pride & Prejudice, Sense & Sensibility, various musicals...

14. Dream cast your favorite actor and actress in a period drama of your choosing; tell which parts they would play and why.

Oh, I love doing that sort of thing. But do you mean switching characters in existing period dramas, or entirely different fantasy adaptations, so to speak? I have thought up many adaptations that couldn't happen that way anymore, but I really wish they'd make an adaptation of These Old Shades with Jason Isaacs as Avon, and I am thinking out my ideal version of The Eliots of Damerosehay, and so far have cast Francesca Annis, Michelle Dockery, Anthony Andrews, Miranda Otto and Robert Bathurst.

15. Are there any period dramas you like more than one version of?

Oh, sure. Especially 1996 and 2009 Emma.

16. What are the top three period dramas that you haven't seen on your to-watch list?

I don't think I have such a thing. There are things I'd like to see when I get around to it, but I don't have goals in that sense.

17. Show a picture of your favorite period drama hairstyle.

Once again, two choices, and again including Deirdre McEwan for a more recent style, and also Catherine Morland for some more distantly historical. Both are styles I'd gladly wear.

18. What was your favorite wedding in a period drama?

I love the double wedding in Sense & Sensibility (1995). It's such a small scene, but so cheerful and just perfect.

19. What is your favorite biographical period drama?

All Creatures Great and Small, obviously. Otherwise, Elizabeth R is excellent, and I really recommend The Duchess of Duke Street.

20. Which historical novel will you forever recommend to anyone and everyone?

Historical as in set in a now historical period, but can be contemporary for the time it was written? The Herb of Grace and Brideshead Revisited. Actual historical fiction? These Old Shades.

Give Thanks for Books

Although I was not tagged in this game, I simply wanted to it it when I saw it. Books are something to be grateful about, no doubt about that!

G — A book you're Grateful to a friend for recommending

I am not sure when I was last directly recommended a book, but discovering the Lord Peter Wimsey books through a particularly enthusiastic post by an online acquaintance, consisting of photos from various pages of Busman's Honeymoon truly sparked a great literary love.

I — A book that fires your Imagination

So do most of my favourite books – but The Chronicles of Narnia most of all. Not only the wonderful worlds, but also the way they were written.

V — A book with a Vivid setting

To avoid doubles, here I should say Henrietta's House and, in a completely different way, Piranesi.

E — An Encouraging book

In my opinion, the best books are encouraging. For me, this applies especially to the books of Elizabeth Goudge and C. S. Lewis. But those aside, to name a specific title, in a particular, and perhaps very different way than what most people would consider encouraging, Brideshead Revisited.

T — A book that Taught you something

Huh... most of my favourites, in different ways. But for one in particular, I should say Linnets and Valerians.

H — A Happy book

The Rosemary Tree – much less a happy book than a book in which unhappy people find ways, through each other, to become much happier.

A — An Amusing book

Summer Lightning – anything Wodehouse, really.

N — A New-to-you book or author you discovered this year

I have not read any new authors so far this year, but I have read Gentian Hill for the first time and love it.

K — A fictional character you feel a Kinship with

Sally Adair, really and truly, and also Jill Pole and Lucy Pevensie, and Jocelyn Irving.

S — A book you want to Share with others

C. S. Lewis' Letters to Children and Goodbye, Mr Chips.


I tag anyone who would like to do this game as well

Jane Austen This or That

I have not been tagged in this game by Cordy, but figured I would like to do it!

1) Who is a cuter couple? Emma and Mr. Knightley or Jane and Mr. Bingley?
Jane and Bingley are certainly the cuter couple, although Emma and Knightley are among my favourite Austen couples,

2) You must go to tea with Mrs. Jennings or Mrs. Bennet. Who would you rather go with?
Really, though I understand the reasoning that Mrs Bennet wouldn’t care too much about my doings, I think I’d enjoy Mrs Jennings’ company better.

3) Dance with Edward Ferrars or Charles Bingley?
With Charles Bingley, really.

4) Who would you rather have as a big sister? Jane Bennet or Elinor Dashwood?
I first wanted to say Jane, because I am very fond of her, but we might be too similar, and Elinor might be a better balance for me.

5) Worst villain? Wickham or Willoughby?
I’d say Willoughby is the worse of the two.

6) Take a walk with Mrs. Weston or Mrs. Gardiner? (Mrs. Weston is Emma’s old governess and Mrs. Gardiner is Elizabeth’s aunt.)
I’d like both, really. I don’t think I have much of a preference.

7) Mr. Darcy or Mr. Knightley?
I like Darcy as much as any other woman, but Knightley and Brandon are my favourite Austen heroes, so…

Five Times Five for Spring

Tra la, it’s May, the lusty month of May . . . ! It’s lovely spring, the time for lovely spring things. If you like seasonal recommendations, then look no further – here we go! 💐


Five Activities for Spring

Bird watching — Spring is the season of birds, and there are so many you can see these days! You might want to look out for them. In fact, if you are unsure about which kind of bird you see, a book or even an app might be of help. Some nature conservation societies are happy to hear about the birds you’ve counted in your garden or your street! 🐦

Embroidery — Be it hoop embroidery or decorating fashions, satin or cross stitch, embroidery is simply a lovely activity, and decidedly spring like. It’s calming and refreshing, and you can dream about your own role in a period drama or a historical romance novel. . . and keep the results! 🧵

Writing down quotes — Consider starting a little journal for quotes and passages you read in books, or hear in films and series. Poems, too, and little sketches can find places there. 🖊️

Flower sketching — Rather than picking flowers, why don’t you draw the ones you see in nature? Be it with a pencil, watercolours, or anything else you like! You might like to use your quote journal for that purpose. 🌷

Baking tarts — Spring is the time for small, light treats. There’s nothing you cannot do with shortcrust pastry, be it jam tarts, Bakewell tarts, or miniature fruit pies. It’s easy, quick, and delicious! 🥧


Five Books for Spring

Linnets and Valerians by Elizabeth Goudge — A magical adventure in the countryside, featuring gardens, bees, jam making and tapestries.

The Nature of Spring by Jim Cumley — Part of a series of beautiful nature writing on all the season.

The Wind in the Willows by Kenneth Grahame — There’s nothing – absolutely nothing – half so much worth doing as messing about in boats.

Gerard Manley Hopkins: The Major Poems — The height of poetry, especially for springtime.

The Secret Garden by Frances Hodgson Burnett — A classic tale of the creation and recreation of spring.



Five Films For Spring

Sense and Sensibility — The perfect 1995 of Jane Austen’s beloved novel.

The Importance of Being Earnest — The hilarious 2002 adaptation of Oscar Wilde’s play.

Mary Poppins — A universal childhood favourite.

Bringing Up Baby — The quintessential screwball comedy.

Sleeping Beauty — The enchanting Disney movie.

Five Series for Spring

All Creatures Great and Small — The perfect BBC series, and the only adaptation that matters.

The World of Peter Rabbit and Friends — The animated series, sweetly evoking Potter’s illustrations.

Pride and Prejudice — The well-beloved 1995 serial.

Moonacre — The forgotten adaptation of Elizabeth Goudge’s novel, which you can watch here.

Anne of Green Gables — The sweet 1985 mini series, and its 1987 sequel.

Five Albums for Spring

A New Journey — The best album by Celtic Woman, refreshing and enchanting.

The Sprig of Thyme — A lovely selection of English folk songs by the Cambridge Singers.

Vivaldi: Mandolin and Lute Concertos — Cheerful and calming, the sweetest classical music.

Disney Goes Classial — A new take on our favourite tunes!

Invocation — By Anúna, a quiet and calming experience.


"Would you rather..." — Jane Austen Editions

Here’s another game by Cordy. As a society, we should play more Jane Austen or otherwise literature related games. I am sure this one is going to be fun!

Consider yourself tagged, if you like ♥ 


Who would you rather have act as your matchmaker, Lady Russell (from Persuasion) or Mrs. Jennings?

I should say, Mrs Jennings. The whole business might be a bit exasperating, but surely well-meant, and possibly with good results.

Who would you like as a pen pal from Jane Austen’s works?

Oh, I think it would be fun to share exciting stories with Cathy Morland!

Who would you rather go on a walk with, Colonel Fitzwilliam or Captain Benwick?

With Colonel Fitzwilliam, I think. He’s one of my favourite secondary characters.

Who would you rather have to befriend, Mrs. Elton or Lucy Steele?

Mrs Elton. She’d be terribly annoying, but I could just ignore that. Lucy is so false, that’s much worse.

Who would you rather have as a sibling, John Knightley or Mary (from Persuasion, not Mary Bennet)?

John Knightley.

Who would you rather dance with? (Very open book!)

Out of all characters? Mr Knightley or Colonel Brandon! Or Mr Tilney!

Who would you rather refuse, Mr. Collins or Mr. Elton?

Mr Elton. The difference is – refusing Mr Collins would be tedious, refusing Mr Elton would be rather satisfying.

Who would you rather match-make for, Miss Bates or Mary Bennet?

Mary. I would love to match-make for Miss Bates if I knew for sure it would be a success, but I’d hate to disappoint her.

Who would you rather have as a best friend?

Out – of anyone? I don’t know. Perhaps Jane Bennet. Or the Westons.

Who would you rather argue with? (Mrs. Bennet, Lady Catherine, Emma Woodhouse, Mr. Woodhouse, Mr. Palmer, Mrs. Jennings, Fanny Dashwood, Captain Wentworth, Mr. Darcy, ect.) 

Hmh. Mary Bennet.

Would you rather wander the grounds of Pemberley and risk being ‘discovered’ or wander over the downs surrounding Barton Cottage in the rain and twist an ankle?

The former. Although I would like wandering over the downs surrounding Barton Cottage in the rain, while being cheerful and without any accidents.

Where would you live in Austen’s works?

Barton Cottage! Or Longbourn. Or, no, maybe Fullerton Vicarage!